{"id":8648,"date":"2026-04-15T10:46:30","date_gmt":"2026-04-15T10:46:30","guid":{"rendered":"https:\/\/sum.malmostudenter.se\/?p=8648"},"modified":"2026-04-15T10:53:30","modified_gmt":"2026-04-15T10:53:30","slug":"weaving-the-web-of-retro","status":"publish","type":"post","link":"https:\/\/sum.malmostudenter.se\/index.php\/2026\/04\/15\/weaving-the-web-of-retro\/","title":{"rendered":"Weaving the Web of Retro"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"8648\" class=\"elementor elementor-8648\" data-elementor-settings=\"{&quot;ha_cmc_init_switcher&quot;:&quot;no&quot;}\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-a4c8137 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"a4c8137\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;_ha_eqh_enable&quot;:false}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-b18ef40\" data-id=\"b18ef40\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-a4b8235 elementor-widget elementor-widget-image\" data-id=\"a4b8235\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/sum.malmostudenter.se\/wp-content\/uploads\/2022\/04\/20220331_213212-kopia-scaled.jpg\" title=\"\" alt=\"\" loading=\"lazy\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-7bf2f181 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"7bf2f181\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;_ha_eqh_enable&quot;:false}\">\n\t\t\t\t\t\t\t<div class=\"elementor-background-overlay\"><\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-1e7c10c1\" data-id=\"1e7c10c1\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-71d3740 elementor-widget elementor-widget-image\" data-id=\"71d3740\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"750\" height=\"477\" src=\"https:\/\/sum.malmostudenter.se\/wp-content\/uploads\/2026\/04\/Kateryna_Kamile_1-copy-1024x651.jpg\" class=\"attachment-large size-large wp-image-8650\" alt=\"\" srcset=\"https:\/\/sum.malmostudenter.se\/wp-content\/uploads\/2026\/04\/Kateryna_Kamile_1-copy-1024x651.jpg 1024w, https:\/\/sum.malmostudenter.se\/wp-content\/uploads\/2026\/04\/Kateryna_Kamile_1-copy-300x191.jpg 300w, https:\/\/sum.malmostudenter.se\/wp-content\/uploads\/2026\/04\/Kateryna_Kamile_1-copy-768x489.jpg 768w, https:\/\/sum.malmostudenter.se\/wp-content\/uploads\/2026\/04\/Kateryna_Kamile_1-copy-1536x977.jpg 1536w, https:\/\/sum.malmostudenter.se\/wp-content\/uploads\/2026\/04\/Kateryna_Kamile_1-copy-1568x997.jpg 1568w, https:\/\/sum.malmostudenter.se\/wp-content\/uploads\/2026\/04\/Kateryna_Kamile_1-copy.jpg 2009w\" sizes=\"(max-width: 750px) 100vw, 750px\" style=\"width:100%;height:63.61%;max-width:2009px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9d8773f elementor-widget elementor-widget-text-editor\" data-id=\"9d8773f\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Illustration: <span data-sheets-root=\"1\">Kateryna Pyzh<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-fc0b023 elementor-widget elementor-widget-heading\" data-id=\"fc0b023\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Weaving the Web of Retro<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-8c1e277 elementor-widget elementor-widget-text-editor\" data-id=\"8c1e277\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>By: Cecile<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-299b589 elementor-widget elementor-widget-text-editor\" data-id=\"299b589\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>15\/4\/2026<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-f7f0751 elementor-widget elementor-widget-text-editor\" data-id=\"f7f0751\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>A growing sense of disconnection is shaping how Gen Z navigates both digital and real-world spaces. As online trends blur the line between self-expression and performativity, young people are beginning to question whether true community can exist within algorithm-driven platforms\u2014or if it must be rebuilt offline.<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-0861674 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"0861674\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;_ha_eqh_enable&quot;:false}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-bbfecf5\" data-id=\"bbfecf5\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-3a15db1 elementor-widget elementor-widget-text-editor\" data-id=\"3a15db1\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>I recently started to notice a rise in TikToks where creators are speaking up about community \u2013 precisely, the lack of it. It struck me \u2013 it\u2019s not the style that we, mainly Gen Z, essentially crave; it\u2019s the community. The idea that hyper-individualism and the prioritisation of productivity over lived experience are taking society on a path toward an isolated future has taken hold among many young people, whether they express these thoughts online or in their real-life circles. It\u2019s not just one individual bubble of thought; the digital space now holds a thread that connects countless such bubbles around the world. It piqued my interest in researching alternative ways younger generations are forging new paths in community \u2013 what can escape the digital, and what cannot?<\/p>\n<p><br \/>One of the main tools used for non-verbal communication online is digital mimicry, or to simplify, trends \u2013 such as style, makeup, using specific hashtags and -core prefixes which serve as stylistic signifiers. This not only helps with self-expression but also community building, when done right.<\/p>\n<p><br \/>I say \u201cdone right\u201d because self-curation through aesthetics is not the long-term answer, as anything curated could, and often does in the digital space, be rooted in performativity and the desire for external validation. Self-curating is not a problem in itself when you take it as a critical development of your own being, one that should evolve from online influences toward self-made decisions. Mediated authenticity over the years has taught users to always express the self through the current frame of authenticity, which is shaped by algorithmic trends, even if that requires adjusting the self.<\/p>\n<p><br \/>Yet the frames and mediations seem to be crumbling as users keep finding ways to evade the algorithms. Some users even speculate that contemporary online spaces, advertised as \u201ccommunity nourishing\u201d, at their core, are tools for data collection. Distrust of anything digital is slowly approaching as more and more people get to know and believe the dead internet theory , but in my eyes, there is a good side to this phenomenon. Nowadays, more and more young people are once again coming to value the analogue connections vs. digital ones. I\u2019m not talking about being a kid and going out to play outside \u2013 I\u2019m speaking of Gen Z, who grew up during the massive changes of the digital world, who experienced enriching times as children playing online, and now are rebuilding their outside communities and expressing their yearning for a retro age of the internet, the space where everyone could feel a part of something.<\/p>\n<p><br \/>This retro age is creeping up as people are trying to ditch platforms serviced by Almighty Google and prioritising alternative spaces and websites. Users who are well-versed in aesthetics are noting that fashion trends such as monotonous beige apparel and interiors and clean-girl aesthetic are new mixtures of an anti-community concoction, promoting stylistic tones of boredom (and needless to say, it emphasises the Eurocentric standard of beauty that is the easiest to digest: white, clean, tame, and glossed over). As these trends rose, so did the pushback for creativity, self-expression \u2013 even if it was through new trends (such as-core). Of course, this point is seen through a dichotomy of bland\/colourful, boring\/interesting, but if there is a link between clean-girl aesthetics and Eurocentric beauty standards, we can assume that it also could be working as a tool for minimising algorithmic exposure to creative, expressive, alternative and \u201cunclean\u201d communities. What helps battle these algorithms is not only an increase in various users explicitly stating their concern over them, but a continuous push online to educate themselves on questions, such as \u201cwhat are the goals of the people managing these algorithms?\u201d.<\/p>\n<p><br \/>After the COVID-19 pandemic and isolation that affected the entire world, there was a shift in mindset regarding online communities \u2013 at some point during lockdowns, many felt that no matter how authentic, digital communication and friendships only last for so long. It prompted me to question the quality of connection \u2013 are our bodies still able to interpret connections online as actual community building? Do we feed the impulse for community our ancestors passed onto us with digitality, or do our bodies reject it as indigestible, thus pushing us to the brink of a break, while still motivating us to seek out real-life connection? Now that a lot of people are dealing with emotional post-isolation consequences, such as anxiety in real-life spaces, is there something to make it all easier?<\/p>\n<p><br \/>One such real-life communal activity that could be seen as having \u201cescaped\u201d the internet recently is \u201cPerformative Masc Lesbian Contest\u201d in Toronto this September, or \u201cTimoth\u00e9e Chalamet Look-alike Contest\u201d in New York last year. Neither are connected to any sort of specific community in real-life, but the online obsession with pop-culture garnered popularity for these sorts of contests, which are playful in spirit, and most importantly, do not require much commitment from an individual. This reminded me of when the various communities on the website Tumblr organised their own convention in 2014, DashCon, a cultural event where different online fandoms get together to celebrate, support artists by buying their merchandise, and participate in various entertaining activities. The key difference between the two examples of digital communities transforming into analogue is their nature: DashCon seemed to be a playful event, yet it was an overly ambitious and underdeveloped project, which led to a lot of disappointment among attendees, and these short-term meet-ups for a contest had a very simplistic approach to a successful community-building activity.<\/p>\n<p><br \/>People are learning every day just how much social media algorithms can be challenged and bent toward weaving the webs of community. A tool set up for distraction is being turned into a site of action for everybody. As this process continues, I\u2019m sure we will soon see more signs of the digital world reverting to an enriching retro space that serves as a tool for real-life community building.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>As digital spaces grow increasingly performative, Gen Z is questioning the authenticity of online communities, turning instead toward rebuilding meaningful, real-world connections beyond the limits of algorithm-driven interaction.<\/p>\n","protected":false},"author":3,"featured_media":8650,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16,335],"tags":[],"class_list":["post-8648","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-article","category-for-students","entry"],"_links":{"self":[{"href":"https:\/\/sum.malmostudenter.se\/index.php\/wp-json\/wp\/v2\/posts\/8648","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sum.malmostudenter.se\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sum.malmostudenter.se\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sum.malmostudenter.se\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/sum.malmostudenter.se\/index.php\/wp-json\/wp\/v2\/comments?post=8648"}],"version-history":[{"count":8,"href":"https:\/\/sum.malmostudenter.se\/index.php\/wp-json\/wp\/v2\/posts\/8648\/revisions"}],"predecessor-version":[{"id":8658,"href":"https:\/\/sum.malmostudenter.se\/index.php\/wp-json\/wp\/v2\/posts\/8648\/revisions\/8658"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sum.malmostudenter.se\/index.php\/wp-json\/wp\/v2\/media\/8650"}],"wp:attachment":[{"href":"https:\/\/sum.malmostudenter.se\/index.php\/wp-json\/wp\/v2\/media?parent=8648"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sum.malmostudenter.se\/index.php\/wp-json\/wp\/v2\/categories?post=8648"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sum.malmostudenter.se\/index.php\/wp-json\/wp\/v2\/tags?post=8648"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}